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Poet in New York , is a work of radical modernity surprising to those who first read though Federico García Lorca began writing in 1929: such is the stereotypical image. It is far from what others have wanted to sell as new since then. Often find artists who take refuge in ignorance of others. Even it was fashionable some years ago denying that he had to know the key works literature (or film or painting or sculpture): trap that many gullible fell purchased as new things that had been decades in the market. There are too many hucksters in the art and an audience that does not give importance to culture and which is easy to sell a pig in a poke.

To the knowledge of poems he hurt both his fortune publishing as the fact that the posthumous publication and later made him reach the moral and aesthetic environment of the post-war Spain would not be easily accepted. Not politically correct culture of the dictatorial regime of Franco and the aesthetic orthodoxy of the majority of artists and intellectuals that nourished the opposition could easily accept. Still happens today.

Anyway, Poet in New York is García Lorca's response not so much a personal conflict, which has insisted that seems to absorb so unfairly any other explanation, as an aesthetic tension that was advanced networks at the European avant-garde art. In 1929-even before the stock market crash happened but even more strongly after-part of the vanguard renounced his insignificance and no longer aspire to be novel became aware of the time when the climate that existed that would lead to social conflicts and wars of the next two decades.

The Surrealist circle in Paris led by Breton turned to the communist commitment and expelled from its ranks who refused to take that step and would rather follow the path of art without political and social commitment, including Dalí. Away from them, damaged their relationship with Dali and Bunuel, Garcia Lorca explores this path: Poet in New York is your response to this new pathway by which the vanguard, without ceasing to be taking sides in reporting the erroneous mechanized march of modernization, which canceled the individual and became marginalized in much of the population, especially belonging to minorities. The poet's commitment leads him, even as a victim offered for the redemption of the world.

In this book, Lorca's poetic voice comes out transformed: in a few months, the change that occurs is so profound that everything he had written before, to be so good, it pales. Poet in New York is many things, but above all a spiritual journey of the poetic self. Perhaps now, back into a troubled situation, we are better prepared to understand.